From “Grand Hotel” to “Whatever Happened to Baby Jane?,” Joan Crawford played some of the finest parts Hollywood had to offer, establishing a reputation as the most spectacular diva on the silver screen. Even when the cameras quit rolling, her life never stopped being over-the-top. In My Way of Life, a cult classic since it was first published in the early 1970’s, Crawford shares her secrets. Part memoir, part self-help book, part guide to being fabulous, My Way of Life advises the reader on everything from throwing a small dinner party for eighteen to getting the most out of a marriage. Featuring tips on fashion, makeup, etiquette and everything in between, it is an irresistible look at a bygone era, when movie stars were pure class, and Crawford was at the top of the heap.
This joint biography of Bette Davis and Joan Crawford follows Hollywood's most epic rivalry throughout their careers. They only worked together once, in the classic spine-chiller "What Ever Happened to Baby Jane" and their violent hatred of each other as rival sisters was no act. In real life they fought over as many man as they did film roles. The story of these two dueling divas is hilarious, monstrous, and tragic, and Shaun Considine’s account of it is exhaustive, explosive, and unsparing. “Rip-roaring. A definite ten.” - New York Magazine.
Archaeologist Connelly gives us the first comprehensive cultural history of priestesses in the ancient Greek world. Connelly presents the fullest picture yet of how priestesses lived and worked, from the most famous and sacred of them--the Delphic Oraclea
The movie The Founder, starring Michael Keaton, focused the spotlight on Ray Kroc, the man who amassed a fortune as the chairman of McDonald’s. But what about his wife Joan, the woman who became famous for giving away his fortune? Lisa Napoli tells the fascinating story behind the historic couple. Ray & Joan is a quintessentially American tale of corporate intrigue and private passion: a struggling Mad Men–era salesman with a vision for a fast-food franchise that would become one of the world’s most enduring brands, and a beautiful woman willing to risk her marriage and her reputation to promote controversial causes that touched her deeply. Ray Kroc was peddling franchises around the country for a fledgling hamburger stand in the 1950s—McDonald’s, it was called—when he entered a St. Paul supper club and encountered a beautiful young piano player who would change his life forever. The attraction between Ray and Joan was instantaneous and instantly problematic. Yet even the fact that both were married to other people couldn’t derail their roller coaster of a romance. To the outside world, Ray and Joan were happy, enormously rich, and giving. But privately, Joan was growing troubled over Ray’s temper and dark secret, something she was reluctant to publicly reveal. Those close to them compared their relationship to that of Elizabeth Taylor and Richard Burton. And yet, this volatility paved the way for Joan’s transformation into one of the greatest philanthropists of our time. A force in the peace movement, she produced activist films, books, and music and ultimately gave away billions of dollars, including landmark gifts to the Salvation Army and NPR. Together, the two stories form a compelling portrait of the twentieth century: a story of big business, big love, and big giving.
In this fascinating new biography of screen legend Joan Crawford, Charlotte Chandler draws on exclusive and remarkably candid interviews with Crawford herself and with others who knew her, including first husband Douglas Fairbanks, Jr., and Crawford's daughter Cathy. As a result, this biography is fresh and revealing, a brand-new look at one of Hollywood's most acclaimed stars. Joan Crawford was born Lucille LeSueur in San Antonio, Texas, in 1908 (as she always insisted, though other sources disagreed). Her father abandoned the family, and her mother soon remarried; Lucille was now known as Billie Cassin. Young Billie loved to dance and achieved her early success in silent films playing a dancer. Her breakthrough role came in Our Dancing Daughters. Soon married to Hollywood royalty, Douglas Fairbanks, Jr. (who called her "Billie"), she was a star in her own right, playing opposite John Barrymore and a stellar cast in M-G-M's Grand Hotel. Crawford was cast opposite another young star, Clark Gable, in several films. They would sometimes play lovers on screen -- and off as well. After her marriage to Fairbanks broke up, Crawford married actor Franchot Tone. That marriage soon began to show strains, and Crawford was sometimes seen riding with Spencer Tracy, who gave her a horse she named Secret. Crawford left M-G-M for Warners, and around the time she married her third husband, Phillip Terry, she won her Oscar for best actress (one of three times she was nominated) in Mildred Pierce. But by the 1950s the film roles dried up. Crawford and Terry had divorced, and Crawford married her fourth husband, Pepsi-Cola executive Alfred Steele. In 1962, she and longtime cinematic rival Bette Davis staged a brief comeback in the macabre but commercial What Ever Happened to Baby Jane? Following Steele's death, Crawford became a director of Pepsi- Cola while she continued raising her four adopted children. Although her daughter Christina would publish the scathing memoir Mommie Dearest after Crawford's death, Chandler offers a contrasting portrait of Crawford, drawing in part on reminiscences of younger daughter Cathy among others. Not the Girl Next Door is perhaps Charlotte Chandler's finest Hollywood biography yet, an intimate portrait of a great star who was beautiful, talented, glamorous, and surprisingly vulnerable.
The 25 Most Anticipated Books by Women for 2017, Elle Magazine The 32 Most Exciting Books Coming Out in 2017, BuzzFeed 50 Books We Can’t Wait to Read in 2017, Nylon Magazine 33 New Books to Read in 2017, The Huffington Post Most Anticipated, The Great 2017 Book Preview, The Millions The bestselling author of The Small Backs of Children offers a vision of our near-extinction and a heroine—a reimagined Joan of Arc—poised to save a world ravaged by war, violence, and greed, and forever change history, in this provocative new novel. In the near future, world wars have transformed the earth into a battleground. Fleeing the unending violence and the planet’s now-radioactive surface, humans have regrouped to a mysterious platform known as CIEL, hovering over their erstwhile home. The changed world has turned evolution on its head: the surviving humans have become sexless, hairless, pale-white creatures floating in isolation, inscribing stories upon their skin. Out of the ranks of the endless wars rises Jean de Men, a charismatic and bloodthirsty cult leader who turns CIEL into a quasi-corporate police state. A group of rebels unite to dismantle his iron rule—galvanized by the heroic song of Joan, a child-warrior who possesses a mysterious force that lives within her and communes with the earth. When de Men and his armies turn Joan into a martyr, the consequences are astonishing. And no one—not the rebels, Jean de Men, or even Joan herself—can foresee the way her story and unique gift will forge the destiny of an entire world for generations. A riveting tale of destruction and love found in the direst of places—even at the extreme end of post-human experience—Lidia Yuknavitch’s The Book of Joan raises questions about what it means to be human, the fluidity of sex and gender, and the role of art as a means for survival.
From the best-selling author of the National Book Award-winning The Year of Magical Thinking: two extended excerpts from her never-before-seen notebooks--writings that offer an illuminating glimpse into the mind and process of a legendary writer. Joan Didion has always kept notebooks: of overheard dialogue, observations, interviews, drafts of essays and articles--and here is one such draft that traces a road trip she took with her husband, John Gregory Dunne, in June 1970, through Louisiana, Mississippi, and Alabama. She interviews prominent local figures, describes motels, diners, a deserted reptile farm, a visit with Walker Percy, a ladies' brunch at the Mississippi Broadcasters' Convention. She writes about the stifling heat, the almost viscous pace of life, the sulfurous light, and the preoccupation with race, class, and heritage she finds in the small towns they pass through. And from a different notebook: the "California Notes" that began as an assignment from Rolling Stone on the Patty Hearst trial of 1976. Though Didion never wrote the piece, watching the trial and being in San Francisco triggered thoughts about the city, its social hierarchy, the Hearsts, and her own upbringing in Sacramento. Here, too, is the beginning of her thinking about the West, its landscape, the western women who were heroic for her, and her own lineage, all of which would appear later in her acclaimed 2003 book, Where I Was From. One of TIME’s most anticipated books of 2017 One of The New York Times Book Review's “What You’ll Be Reading in 2017” Incldued among the Best Books of March 2017 by both LitHub and Signature
Around the world, populist movements are gaining traction among the white working class. Meanwhile, members of the professional elite—journalists, managers, and establishment politicians—are on the outside looking in, left to argue over the reasons. In White Working Class, Joan C. Williams, described as having “something approaching rock star status” by the New York Times, explains why so much of the elite’s analysis of the white working class is misguided, rooted in class cluelessness. Williams explains that many people have conflated “working class” with “poor”—but the working class is, in fact, the elusive, purportedly disappearing middle class. They often resent the poor and the professionals alike. But they don’t resent the truly rich, nor are they particularly bothered by income inequality. Their dream is not to join the upper middle class, with its different culture, but to stay true to their own values in their own communities—just with more money. While white working-class motivations are often dismissed as racist or xenophobic, Williams shows that they have their own class consciousness. White Working Class is a blunt, bracing narrative that sketches a nuanced portrait of millions of people who have proven to be a potent political force. For anyone stunned by the rise of populist, nationalist movements, wondering why so many would seemingly vote against their own economic interests, or simply feeling like a stranger in their own country, White Working Class will be a convincing primer on how to connect with a crucial set of workers—and voters.
Volumes have been written by and about Patrick Leigh Fermor, but his wife Joan is almost entirely absent from their pages. Now Simon Fenwick, the first archivist to see the Leigh Fermor papers, reveals a woman hitherto only fleetingly glimpsed. A talented photographer, Joan defied the social conventions of her times and, though she came from a wealthy and well-connected family, earned her own living. Through her lover, and later editor of the TLS, Alan Pryce-Jones, she met and mingled with the leading lights of 1930s bohemia – John Betjeman, Cyril Connolly, Evelyn Waugh, Maurice Bowra (who adored her) and Osbert Lancaster, among others. She featured regularly in the gossip columns, not only for her affairs and her fashionable clothes, but for her intrepid travels to Russia and America. In 1936 she met and subsequently married the journalist John Rayner, but her belief in open marriage was not shared by her husband and their relationship foundered. Then, in 1944 in Cairo, where she was a cypher clerk, she met Paddy Leigh Fermor, lionized for his daring kidnap of the Nazi General Kreipe in Crete. They would remain together until her death in 2003. In this riveting biography, written with full access to Joan’s personal archive, Simon Fenwick reveals the extraordinary life of a woman who, until now, has been defined by the man she married and their famous friends. Here, at last, Joan is placed at the centre of her own story. It is also a riveting portrait of a marriage and a milieu, revealing the sexual and intellectual mores of that wartime generation who lived life at full tilt, no matter what the consequences.
Interviews with Joan Crawford provide insight into her views on her career, films, four husbands, lovers, leading men, children, and loneliness during her final years