Rock and Popular Music

Rock and Popular Music Author Tony Bennett
ISBN-10 9781134923052
Year 2005-08-19
Pages 320
Language en
Publisher Routledge
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Rock and Popular Music examines the relations between the policies and institutions which regulate contemporary popular music and the political debates, contradictions and struggles in which those musics are involved. International in its scope and conception, this innovative collection explores the reasons for and ways in which governments have sought either to support or prohibit popular music in Canada, Australia and Europe as well as the impact of broadcasting policies in forming and shaping different musical communities. Rock and Popular Music is a unique collection suggesting significant new directions for the study of contemporary popular musics.

Dig

Dig Author David Nichols
ISBN-10 9781891241611
Year 2016-10-11
Pages 608
Language en
Publisher Verse Chorus Press
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David Nichols tells the story of Australian rock and pop music from 1960 to 1985 – formative years in which the nation cast off its colonial cultural shackles and took on the world. Generously illustrated and scrupulously researched, Dig combines scholarly accuracy with populist flair. Nichols is an unfailingly witty and engaging guide, surveying the fertile and varied landscape of Australian popular music in seven broad historical chapters, interspersed with shorter chapters on some of the more significant figures of each period. The result is a compelling portrait of a music scene that evolves in dynamic interaction with those in the United States and the UK, yet has always retained a strong sense of its own identity and continues to deliver new stars – and cult heroes – to a worldwide audience. Dig is a unique achievement. The few general histories to date have been highlight reels, heavy on illustration and short on detail. And while there have been many excellent books on individual artists, scenes and periods, and a couple of first-rate encylopedias, there’s never been a book that told the whole story of the irresistible growth and sweep of a national music culture. Until now . . .

Rock On

 Rock On Author Ros Jennings
ISBN-10 9781409428411
Year 2012
Pages 174
Language en
Publisher Ashgate Publishing, Ltd.
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For female pop stars, whose star bodies and star performances are undisputedly the objects of a sexualized external gaze, the process of ageing in public poses particular challenges. This title focuses on British and Latina women performers and ageing. It investigates the cultural work performed by artists such as Madonna, Celia Cruz, and more.

Rock and Popular Music in Ireland Before and After U2

Rock and Popular Music in Ireland Before and After U2 Author Noel McLaughlin
ISBN-10 0716530767
Year 2012
Pages 338
Language en
Publisher
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Accessibly written and well illustrated, this book explores Irish rock music's relationship to the wider world of international popular music through a detailed analysis of the Ireland's most prominent artists and bands - U2, Van Morrison, Sinead O'Connor, The Boomtown Rats, and Horslips - along with key musical movements including the Beat Scene, the Folk Revival, Northern Irish Punk, and Dance Music in Ireland. It brings to the study of popular music the concerns of Irish Studies about national and cultural identity and, at the same time, enriches these debates by applying a focus on popular music culture to debates traditionally concerned with literature and drama. The book focuses on the significance of music and music in performance, and it analyzes songs and albums, as well as live concerts on television and video/DVD. It presents a wealth of primary research to establish a detailed critical context, such as the music press in Ireland, the UK, and US. The authors have interviewed key industry personnel, artists, and commentators, and their thoughts on Irish rock and pop are particularly interesting to the broader debate.

Queer Tracks Subversive Strategies in Rock and Pop Music

Queer Tracks  Subversive Strategies in Rock and Pop Music Author Doris Leibetseder
ISBN-10 9781317072577
Year 2016-05-23
Pages 236
Language en
Publisher Routledge
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Queer Tracks describes motifs in popular music that deviate from heterosexual orientation, the binary gender system and fixed identities. This exciting cutting-edge work deals with the key concepts of current gender politics and queer theory in rock and pop music, including irony, parody, camp, mask/masquerade, mimesis/mimicry, cyborg, transsexuality, and dildo. Based on a constructivist concept of gender, Leibetseder asks: ’Which queer-feminist strategies are used in rock and pop music?’ ’How do they function?’ ’Where do they occur?’ Leibetseder's methodological process is to discover subversive strategies in queer theory, which are also used in rock and pop music, without assuming that these tactics were first invented in theory. Furthermore, this book explains where exactly the subversiveness is situated in those strategies and in popular music. With the help of a new kind of knowledge transfer the author combines sociological and cultural theories with practical examples of rock and pop music. The subversive character of these queer motifs is shown in the work of contemporary popular musicians and is at the same time related to classical discourses of the humanities. Queer Tracks is a revised translation of Queere Tracks. Subversive Strategien in Rock- und Popmusik, originally published in German.

The Cambridge Companion to Pop and Rock

The Cambridge Companion to Pop and Rock Author Simon Frith
ISBN-10 0521556600
Year 2001-08-16
Pages 303
Language en
Publisher Cambridge University Press
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This Companion maps the world of pop and rock, pinpointing the most significant moments in its history and presenting the key issues involved in understanding popular culture's most vital art form. Expert writers chart the changing patterns in the production and consumption of popular music, the emergence of a vast industry with a turnover of billions and the rise of global stars from Elvis to Public Enemy, Nirvana to the Spice Girls. They trace the way new technologies - from the amplifier to the internet - have changed the sounds and practices of pop and they analyse the way maverick entrepreneurs have given way to multimedia corporations. In particular they focus on the controversial issues concerning race and ethnicity, politics, gender and globalisation. Contains full profiles of a selection of figures from the pop and rock world.

Pop Music and the Press

Pop Music and the Press Author Steve Jones
ISBN-10 1566399661
Year 2002
Pages 270
Language en
Publisher Temple University Press
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Since the 1950s, writing about popular music has become a staple of popular culture.Rolling Stone,Vibe, andThe Sourceas well as music columns in major newspapers target consumers who take their music seriously. Rapidly proliferating fanzines, websites, and internet discussion groups enable virtually anyone to engage in popular music criticism. Until now, however, no one has tackled popular music criticism as a genre of journalism with a particular history and evolution.Pop Music and the Presslooks at the major publications and journalists who have shaped this criticism, influencing the public's ideas about the music's significance and quality. The contributors to the volume include academics and journalists; several wear both hats, and some are musicians as well. Their essays illuminate the complex relationships of the music industry, print media, critical practice, and rock culture. (And they repeatedly dispel the notion that being a journalist is the next best thing to being a rock star.) Author note:Steve Jonesis Professor of Communication at the University of Illinois, Chicago. Among his books areCyberSociety: Computer-Mediated Communication and Community(editor) andRock Formation: Popular Music, Technology, and Mass Communication.

All About the History of Rock and Pop Music

All About the History of Rock and Pop Music Author Donald Moore
ISBN-10 0898987148
Year 1994-02-01
Pages 39
Language en
Publisher Alfred Music Publishing
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From the Fifties to the Super Rock Stars, from the British Invasion to America's own most recently famous, these 20 puzzles present a broad overview. Special feature: permission is granted for reproducing the puzzles for in-class use! In addition to the puzzles, author Donald Moore includes instructions and use suggestions, helpful word lists, a bibliography and, at the end, complete solutions.

American Popular Music The age of rock

American Popular Music  The age of rock Author Timothy E. Scheurer
ISBN-10 0879724684
Year 1989-01-01
Pages 267
Language en
Publisher Popular Press
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Beginning with the emergence of commercial American music in the nineteenth century, Volume 1 includes essays on the major performers, composers, media, and movements that shaped our musical culture before rock and roll. Articles explore the theoretical dimensions of popular music studies; the music of the nineteenth century; and the role of black Americans in the evolution of popular music. Also included—the music of Tin Pan Alley, ragtime, swing, the blues, the influences of W. S. Gilbert and Rodgers and Hammerstein, and changes in lyric writing styles from the nineteenth century to the rock era.

Canuck Rock

Canuck Rock Author Ryan Edwardson
ISBN-10 9780802099891
Year 2009
Pages 336
Language en
Publisher University of Toronto Press
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An invaluable resource and an absorbing read, Canuck Rock spans from the emergence of rock and roll in the 1950s through to today's international recording industry.

Pop Cult

Pop Cult Author Rupert Till
ISBN-10 9780826432360
Year 2010-12-02
Pages 215
Language en
Publisher A&C Black
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Explores the development of a range of cults of popular music as a response to changes in attitudes to meaning, spirituality and religion in society.>

Rock On Women Ageing and Popular Music

   Rock On     Women  Ageing and Popular Music Author Abigail Gardner
ISBN-10 9781317189107
Year 2016-03-16
Pages 186
Language en
Publisher Routledge
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For female pop stars, whose star bodies and star performances are undisputedly the objects of a sexualized external gaze, the process of ageing in public poses particular challenges. Taking a broadly feminist perspective, 'Rock On': women, ageing and popular music shifts popular music studies in a new direction. Focussing on British, American and Latina women performers and ageing, the collection investigates the cultural work performed by artists such as Shirley Bassey, Petula Clark, Madonna, Celia Cruz, Grace Jones and Courtney Love. The study crosses generations of performers and audiences enabling an examination of changing socio-historical contexts and an exploration of the relationships at play between performance strategies, star persona and the popular music press. For instance, the strategies employed by Madonna and Grace Jones to engage with the processes and issues related to public ageing are not the same as those employed by Courtney Love or Celia Cruz. The essays in this insightful collection reflect on the ways that artists and fans destabilise both the linear trajectories and the compelling weight of expectations regarding ageing by employing different modalities of resistance through persona re-invention, nostalgia, postmodern intertextuality and even early death as the ultimate denial of age.

Group Identity

Group Identity Author Adam Behr
ISBN-10 OCLC:757139802
Year 2010
Pages
Language en
Publisher
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Since rock became the subject of academic study, its attendant ideology has been scrutinised and its mythical and Romantic components exposed. Largely absent from this account has been a thorough analysis of the phenomenon of the?band?. The role of individual acts and the wider contexts in which they worked has been discussed at the expense of an examination of an important form of music-making. This thesis seeks to address that gap. Using a mixture of literary research and ethnography, I present an overall picture of the band as a modus operandum, charting its evolution during the emergence of rock and presenting evidence that it has become a key means by which people enter and engage with the field of popular music. I suggest that debates about?authenticity? in rock, in seeking to see through industry rhetoric have overlooked the way in which creativity in bands is closely connected to social interaction. My historical analysis brings to light the way in which the group- identified band has become embedded into popular music practice through the power of narratives. Two case studies, contextualised with archival material and interviews, form the basis for a model for collective creativity. By demonstrating how social action and narrative myth feed into one another, I argue that the group identity of a band is the core of the industrially mediated texts to which audiences respond. Our understanding of how authenticity is ascribed in popular music, and rock in particular, has paid too much attention to genre-based arguments and not enough to musical and social methods. I propose a way of revising this to take better account of rock as an actual practice.

Popular Music The rock era

Popular Music  The rock era Author Simon Frith
ISBN-10 0415332680
Year 2004
Pages 430
Language en
Publisher Psychology Press
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Popular music studies is a rapidly expanding field with changing emphases and agenda. This is a multi-volume resource for this area of study

Women and Popular Music

Women and Popular Music Author Sheila Whiteley
ISBN-10 9781135121808
Year 2013-05-13
Pages 256
Language en
Publisher Routledge
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Women and Popular Music explores the changing role of women musicians and the ways in which their songs resonate in popular culture. Sheila Whiteley begins by examining the counter-culture's reactionary attitudes to women through the lyrics of The Beatles and The Rolling Stones. She explores the ways in which artists like Joplin and Joni Mitchell confronted issues of sexuality and freedom, redefining women's participation in the industry, and assesses the personal cost of their achievements. She considers how stars such as Annie Lennox, Madonna and k.d. lang have confronted issues of gender stereotyping and sexuality, through pop videos for 'Justify My Love' and 'Sweet Dreams (Are Made of This)', and looks at the enduring importance of the singer-songwriter through artists such as Tracey Chapman. Lastly, she assesses the contribution of contemporary artists including Tori Amos, P.J. Harvey and Courtney Love, and asks whether the Spice Girls are just a 'cartoon feminist pop group' or if they provide positive role models for teenage girls.